The seemingly endless construction on 53rd Street is finally showing signs of completion and, before the year is out, Bruce Finkelman and Craig Golden, who between them are partners in some of the city’s most acclaimed venues, from Finkelman’s Longman & Eagle and The Empty Bottle to Golden’s Evanston SPACE, will have the doors to their newest project open. A two-story restaurant, bar and music venue combo in the works for almost two years, The Promontory will introduce more than a little North Side flair to Hyde Park.
Come December, patrons will be able to enjoy a modern hearth-style menu coupled with an artisanal drink selection, all the while having immediate access to a stage that will host a combination of local musicians and the indie/alternative tenor one expects to hear at The Empty Bottle. “I have a feeling it will be an honest reflection of the things we like to do,” says Finkelman. “Both from a musical and resto standpoint.” Read the rest of this entry »
Photo: Tom Rossiter
By Amanda Scotese
The brainy students of the University of Chicago often get so wrapped up in their grand ideas that they lose site of the beauty around them. I remember all the lectures and hours in the Reg blurring together during my time in U of C’s Master of Arts Program, but what I don’t remember blurring are the moments that I took to appreciate the beauty of the campus, especially since I’ve made a career out of loving architectural history through my tour company, Chicago Detours. Next time you want a little inspiration from your surroundings or simply a study break, think of this quick guide to the incredible architecture and artifacts of the U of C campus.
Let’s start with some history of U of C. The city of Chicago began to grow in prominence on the world stage in the late 1800s but lacked in the institution of higher education category. To rectify this problem, merchandising mogul Marshall Field—think “Field Museum”—donated land for a campus. John D. Rockefeller took the torch next and funded construction with the hope that Chicago’s new university would be the Baptist “Harvard” of the West. The University of Chicago was born.
Challenged with building a new university from the ground up to rival East Coast scholarship, primary architect Henry Ives Cobb chose the “Collegiate Gothic” architectural style to launch it into, at least, the aesthetic big leagues. All the stone, gargoyles and clay tile roofs mimic the architecture of historic European paragons like Oxford University. Ultimately, the style took to the medieval period in order to give itself a veneer that looked the part of those institutions that founded the classic roots of scholarship. Read the rest of this entry »
Harper Library/Photo: Tom Rossiter
By Greg Langen, MA ’13
Welcome to the University of Chicago. If the manicured quadrangles did not tip you off, you have arrived at one of the most intellectually rigorous and prestigious research universities in the world. But I’m sure you already know this. I’m sure you’ve already looked up the rankings of the school and your particular programs, crosschecked them with the schools that rejected you, compared them with the school that that one kid from your high school got into. If you are an incoming First Year, I’m sure you’re a bit anxious about starting classes, a bit uneasy about those things that you saw on your roommate’s Facebook page. And I know some of you are rapidly wondering where you can buy fresh goji berries or coconut water in Chicago. Don’t worry. I’m sure they’re here somewhere.
However, before you allow the pomp to confer upon you either a sense of accomplishment and/or an obligation to be unendingly brilliant, I kindly ask you to find the courage this year to be an absolute nobody.
Last year, before setting foot on campus, I made the mistake of Googling the notable University of Chicago alumni, assuming that in some absurd and distant way me and say, Philip Glass, were now somehow connected. We aren’t. At all. Read the rest of this entry »
Photo: Tom Rossiter
Even though they’re everywhere, nobody on campus ever mentions the gargoyles. When I first arrived at U of C, the only offspring of unschooled immigrants to attend an elite university, they were the first thing I noticed.
Hailing from a cookie-cutter suburb where what differentiated the boxy little houses was the color of plastic tile inside (your choice of pink, aqua, or baby blue), I marveled at the hand-carved stone, the unique and imposing presence of the gargoyles. Didn’t anyone else wonder why, for instance, on the street side of Cobb Gate, four little creatures scamper upwards, but on the quad side, another six scurry amidst the contorting heads and eyes of griffins? Wasn’t anyone else curious?
In my first days in this strange place, I nursed my loneliness in crannies atop the Social Science building and Wieboldt Hall where you could buy bad coffee for a few cents and stare the gargoyles guarding Harper Library right in the eye. Dining in Hutchinson Commons with glib classmates from private-school-pedigree stocks, I drew strength from the grotesques banded like rosettes into the stone outside. Before ducking into Bond Chapel, I would schmooze with the mischievous critters frolicking amongst the saintly human faces on the west facade, embarrassed to admit which I felt closer to. Read the rest of this entry »
U2 at U Chicago, April 11, 1981/Photos: Paul Sandberg
By Bart Lazar, AB ’82
Music can be a great diversion, punctuate life’s experiences or be a life’s work. New students at UChicago or new residents in Hyde Park should not eliminate music from life’s major food groups.
WHPK 88.5FM, the university’s and community’s radio outlet, is definitely worth many listens. The music includes indie, rock, folk, blues, jazz, dusties, R&B, classical and live bands, and the hosts are as diverse as the music, including a mix of current undergraduates, graduates, alumni and community members. In today’s world of computer-programmed commercial and Internet radio outlets, it is refreshing to hear an actual human being presenting music and/or information that he/she cares passionately about.
My first day of orientation week, I walked up the elbowed steps of the Reynolds Club and ran into the station’s program director hanging around talking. I told him I had been a DJ in high school and was interested in continuing. He said “great, how would you like Friday afternoon?” Read the rest of this entry »
Martin Northway (right) in a 1968 or 1969 drill with teammate Jerry Culp.
By Martin Northway, X’70
“Isn’t that where all the Reds are?” was a common reaction among my high-school classmates when I told them I was enrolling at the University of Chicago. Even in the sixties, what attracted me to Chicago was its abundance of libertarian scholars—led by Milton Friedman—and the prospect of a liberal arts education anchored by the Common Core. I originally fancied myself an economics major but later abandoned it for less-depressing American history. Mainly, I wanted to write.
The last thing I thought I would do at U of C was play football. But I found myself drawn to the purity it preserved in the sport, unlike the tainted and excessive adulation given by my high school, a national power running up a string of consecutive victories that would stand for a decade. What U of C had was a football club, a stew of undergraduates and grad students of diverse abilities.
U of C had been a power in the Big Ten (originally the Western Conference) under legendary Amos Alonzo Stagg, but ultimately its small undergraduate talent pool could not compete against Midwest behemoths. A last flash of greatness was back Jay Berwanger’s selection as the first Heisman winner in 1935. (I joined his Psi Upsilon fraternity, again an athletes’ sanctuary.) U of C left big-time football in its rear-view mirror in 1939. To some—especially President Robert M. Hutchins—it was good riddance. Read the rest of this entry »
Photo: Monika Lagaard
By Erin Kelsey, AB ’12
I graduated from the College of the University of Chicago in June 2012, and I started my job at the University of Chicago one week later. I joined the Alumni Relations and Development (ARD) staff at one of the university’s “schools and units”—which is to say, one of the smaller, independent organizations under the umbrella of the university. In plain language, that means I’m a fundraiser, but not the kind of fundraiser who calls up my fellow alumni to ask for donations.
While I haven’t taken a class in more than a year, my time with the university as an employee has still been educational, as I’ve experienced the vast perspective shift between undergraduates and the rest of the community. That shift was evident immediately: not so removed from my O-Week, I went to new-employee orientation for a long, antiseptic treatment of the school’s history, and I sipped their coffee and waited to hear something new. I didn’t. It was only interesting to see them leave out the unsavory bits of history and how they explained the “quirky student body” to employees who didn’t know Hyde Park. Read the rest of this entry »
1839 McMillan bicycle, the first with pedals/Photo: John Greenfield
By John Greenfield
The new exhibit “The Art of the Bicycle” at the Museum of Science and Industry does a fine job of tracing the evolution of the bike from the dandy horse, a primitive wooden contraption pushed along with one’s feet, to today’s high-tech steeds. While last year’s terrific “Bikes! The Green Revolution” show at the Peggy Notebaert Nature Museum celebrated cycling culture in general and the Chicago scene in particular, the MSI’s exhibit focuses on the history of the machines themselves. It features nine rarely seen historic bikes from the museum’s collection, newly restored for the show, plus a gaggle of modern rides.
“For 200 years people have continuously reinvented the bicycle,” reads the intro to the exhibit. “With each new decade new designs and technologies improved the popular machine, making riding safer, more reliable and more fun.” Amusement was probably one of the main motivations when German Baron Karl von Drais built the first verifiable dandy horse, a pedal-less, steerable, two-wheeled vehicle he dubbed the Laufmaschine (“running machine”) for cruising around his large garden. A 1931 replica of an 1818 Draisienne, as the French called it, is on display, and the clunky, green-and-gold vehicle looks like it would be a blast to scoot down the Lakefront Trail. Read the rest of this entry »