Among the many dancers working in performance art crossover, few demonstrated the temerity and inventiveness of Ginger Krebs in her “Buffer Overrun” at The Storefront Theater earlier this year. Evoking a Tron-like world of dancers as automatons, the long-in-development piece opened to critical accolades. Using a tilted floor, the performers crawled, rolled and engaged in movement-making that was remarkable for its range in exploring a new relationship with gravity. Teetering on the fulcrum of dance and visual construct, it was a fresh first step in a city where other such forays more often than not come across as rote, safe and not particularly challenging.
